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Być i mieć

Być i mieć

Scenariusz i reżyseria

Paweł Ziemilski, Irek Grzyb

Zdjęcia

Bolesław Kielak

Korekcja barwna

Gosia Grzyb

Kierownik postprodukcji

Wojtek Janio

Rocznik

2011 / 7"

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ewelONA – Lato Moja Miłość

Adre’N’Alin – Split

V/A – Najsilniejsi przetrwają (prod. DJ Premier & Luxon)

Cecilia Nordlund – “Nagot morkt”

L.U.C & Motion Trio feat. Ania Rusowicz – Iluzji łąka

Rebeka – “Fail”

Mela Koteluk “Na wróble”

Plastic – Dlatego

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SiedzibaUl. Narocz 21,
02-678 Warszawa
Telefon+48 692 056 894
Emailbiuro@fixafilm.pl

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Cze 14

Stanisław Bareja's films are among the most belov

Stanisław Bareja's films are among the most beloved Polish comedies of all time. The director passed away on this day, 34 years ago. At Fixafilm we restored his 1966 comedy "Malzenstwo z rozsadku" (The Marriage of Convenience), starring Elzbieta Czyzewska and Daniel Olbrychski.

The restoration of „Malzenstwo z rozsadku” was commissioned by Zebra Film Studio as part of the project “Digital restoration and digitisation of Polish feature, documentary and animated films in order to ensure access via all platforms (cinema, television, Internet, mobile devices) and preserve Polish film heritage for future generations”, and was co-funded through the Operational Programme “Digital Poland for 2014–2020”, priority axis II: “E-government and open government”, specific objective 2.3: “Digital availability and usefulness of public sector information”, sub-measure 2.3.2: “Digital availability of cultural heritage sources”.

#restoration #restored #oldfilms #oldmovies #bareja #Polishcomedies #comedy #olbrychski #czyzewska #60s #warsawin60s #cultfilms

Stanisław Bareja's films are among the most beloved Polish comedies of all time. The director passed away on this day, 34 years ago. At Fixafilm we restored his 1966 comedy "Malzenstwo z rozsadku" (The Marriage of Convenience), starring Elzbieta Czyzewska and Daniel Olbrychski.

The restoration of „Malzenstwo z rozsadku” was commissioned by Zebra Film Studio as part of the project “Digital restoration and digitisation of Polish feature, documentary and animated films in order to ensure access via all platforms (cinema, television, Internet, mobile devices) and preserve Polish film heritage for future generations”, and was co-funded through the Operational Programme “Digital Poland for 2014–2020”, priority axis II: “E-government and open government”, specific objective 2.3: “Digital availability and usefulness of public sector information”, sub-measure 2.3.2: “Digital availability of cultural heritage sources”.

#restoration #restored #oldfilms #oldmovies #bareja #Polishcomedies #comedy #olbrychski #czyzewska #60s #warsawin60s #cultfilms ...

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Cze 8

ONCE THERE WAS A SEA… is an animated documentary

ONCE THERE WAS A SEA… is an animated documentary directed by Joanna Kożuch and produced by Anima-Pol (Poland) and BFilm (Slovakia). It follows the last people of Mo’ynoq (Uzbekistan) who remember the original shore of the drying Aral Sea. The project received an award funded by FIXAFILM at the ANIMATED IN POLAND / KFF Industry pitching, and we’re excited to join the production!

#postproduction #posthouse #animation #documentary #animated #animateddocumentary #animatedinpoland #coproduction #filmproduction #aralsea

ONCE THERE WAS A SEA… is an animated documentary directed by Joanna Kożuch and produced by Anima-Pol (Poland) and BFilm (Slovakia). It follows the last people of Mo’ynoq (Uzbekistan) who remember the original shore of the drying Aral Sea. The project received an award funded by FIXAFILM at the ANIMATED IN POLAND / KFF Industry pitching, and we’re excited to join the production!

#postproduction #posthouse #animation #documentary #animated #animateddocumentary #animatedinpoland #coproduction #filmproduction #aralsea ...

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Cze 1

To Kids – we wish you stainless & scratchless ch

To Kids – we wish you stainless & scratchless childhood; to Grown-ups – hope you can still restore the old joys! Happy Children’s Day! 😃 👶🏻👧🏽🧒🏼👦🏾

Photo: „Trip For One Smile” by Stanislaw Jedryka, restored at our studio

#childrensday #kids #weareallkids #kidsfilm #childrenfilm #filmforkids #childhood #happy #oldfilm #restored #restoration #beforeafter #blackandwhite #bwfilm #stains #scratches

//
The restoration of „Trip For One Smile” was commissioned by Kadr Film Studio as part of the project “Digital restoration and digitisation of Polish feature, documentary and animated films in order to ensure access via all platforms (cinema, television, Internet, mobile devices) and preserve Polish film heritage for future generations”, and was co-funded through the Operational Programme “Digital Poland for 2014–2020”, priority axis II: “E-government and open government”, specific objective 2.3: “Digital availability and usefulness of public sector information”, sub-measure 2.3.2: “Digital availability of cultural heritage sources”.

To Kids – we wish you stainless & scratchless childhood; to Grown-ups – hope you can still restore the old joys! Happy Children’s Day! 😃 👶🏻👧🏽🧒🏼👦🏾

Photo: „Trip For One Smile” by Stanislaw Jedryka, restored at our studio

#childrensday #kids #weareallkids #kidsfilm #childrenfilm #filmforkids #childhood #happy #oldfilm #restored #restoration #beforeafter #blackandwhite #bwfilm #stains #scratches

//
The restoration of „Trip For One Smile” was commissioned by Kadr Film Studio as part of the project “Digital restoration and digitisation of Polish feature, documentary and animated films in order to ensure access via all platforms (cinema, television, Internet, mobile devices) and preserve Polish film heritage for future generations”, and was co-funded through the Operational Programme “Digital Poland for 2014–2020”, priority axis II: “E-government and open government”, specific objective 2.3: “Digital availability and usefulness of public sector information”, sub-measure 2.3.2: “Digital availability of cultural heritage sources”. ...

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Maj 26

"Only the Wind", a documentary by Zofia Kowalewska

"Only the Wind", a documentary by Zofia Kowalewska will premiere at the 61st Krakow Film Festival, which starts on May 30. Silver Frame produced the film, and our studio was responsible for the postproduction.

Andrzej Łucjanek served as the producer, and Mariusz Biskupski as postproduction manager; Maciej Sankowski, Marii Novoseltseva and Paweł Chrabąszcz were responsible for visual effects; Marcin Kielak and Karolina Sokólska took care of conforming; Oskar Pospolitak has done colour grading; and Maciej Szewczyk and Mateusz Malinowski prepared the final masters.

#postproduction #posthouse #colorgrading #colorcorrection #colourgrading #filmproduction #mastering #documentary #sophomorefilm #KFF #krakowfilmfestival #premiere #SilverFrame #onlythewind #Kazakhstan #shotonlocation #veterans #teamwork

"Only the Wind", a documentary by Zofia Kowalewska will premiere at the 61st Krakow Film Festival, which starts on May 30. Silver Frame produced the film, and our studio was responsible for the postproduction.

Andrzej Łucjanek served as the producer, and Mariusz Biskupski as postproduction manager; Maciej Sankowski, Marii Novoseltseva and Paweł Chrabąszcz were responsible for visual effects; Marcin Kielak and Karolina Sokólska took care of conforming; Oskar Pospolitak has done colour grading; and Maciej Szewczyk and Mateusz Malinowski prepared the final masters.

#postproduction #posthouse #colorgrading #colorcorrection #colourgrading #filmproduction #mastering #documentary #sophomorefilm #KFF #krakowfilmfestival #premiere #SilverFrame #onlythewind #Kazakhstan #shotonlocation #veterans #teamwork ...

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Maj 21

Shooting for "Fucking Bornholm" by Anna Kazejak ha

Shooting for "Fucking Bornholm" by Anna Kazejak has started at the Polish seaside. Friends With Benefits Studio is responsible for the production and our DIT specialists - Nazar Vasko and Maciej Sankowski are working on the set.

Photo: Łukasz Wajszczyk

#postproduction #posthouse #DIT #ditservices #ditspecialist #digitalcamera #crew #filmset #balticsea #beach #onlocation #filmpostproduction #filmproduction

Shooting for "Fucking Bornholm" by Anna Kazejak has started at the Polish seaside. Friends With Benefits Studio is responsible for the production and our DIT specialists - Nazar Vasko and Maciej Sankowski are working on the set.

Photo: Łukasz Wajszczyk

#postproduction #posthouse #DIT #ditservices #ditspecialist #digitalcamera #crew #filmset #balticsea #beach #onlocation #filmpostproduction #filmproduction ...

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Maj 19

This Friday, May 21, “JerryMaya's Detective Agen

This Friday, May 21, “JerryMaya's Detective Agency: The Secret of the Train Robber” premiers in the Polish cinemas. The film is based on one of the instalments of the popular Swedish book series by Martin Widmark. It was shot by Ita Zbroniec-Zajt, and our studio contributed to the production - we took care of the grain management.

The film was shot on a digital camera and in some shots, especially those in which lighting conditions were challenging (e.g. a small room, exteriors in the night), digital noise has appeared. We reduced the noise in troublesome shots and added grain from 35mm for a consistent effect throughout the film.

To manage grain we put into use our extensive experience in restoration. We use dedicated software to reduce grain or noise; to re-create it we use a mix of organic scanned film grain and generated grain adjusted to the original medium and its generation.

#postproduction #grainmanagment #postproductionstudio #postproductionhouse #digital #35mm #grain #restoration #kidsfilms #cinemaforkids #swedishbook #swedishgirl #swedishboy #booksforkids #cinemareopening #premiere

This Friday, May 21, “JerryMaya's Detective Agency: The Secret of the Train Robber” premiers in the Polish cinemas. The film is based on one of the instalments of the popular Swedish book series by Martin Widmark. It was shot by Ita Zbroniec-Zajt, and our studio contributed to the production - we took care of the grain management.

The film was shot on a digital camera and in some shots, especially those in which lighting conditions were challenging (e.g. a small room, exteriors in the night), digital noise has appeared. We reduced the noise in troublesome shots and added grain from 35mm for a consistent effect throughout the film.

To manage grain we put into use our extensive experience in restoration. We use dedicated software to reduce grain or noise; to re-create it we use a mix of organic scanned film grain and generated grain adjusted to the original medium and its generation.

#postproduction #grainmanagment #postproductionstudio #postproductionhouse #digital #35mm #grain #restoration #kidsfilms #cinemaforkids #swedishbook #swedishgirl #swedishboy #booksforkids #cinemareopening #premiere ...

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Maj 10

Walerian Borowczyk’s rarely seen medium-length f

Walerian Borowczyk’s rarely seen medium-length feature, "Letter from Paris" (Brief von Paris, 1976) is available at @mubi from today. It was saved by Friends of Walerian Borowczyk, a non-profit association based in Paris, in co-operation with Fixafilm.

Originally shot on 16mm film, "Letter from Paris" was transferred to U-matic tape for its 1976 broadcast on the German television station ZDF. The digitised source material was upscaled at our studio.

#Borowczyk #WalerianBorowczyk #restoration #upscaling #16mm #kiev16mm #restorationhouse #midlength #letterfromparis #paris #cityonscreen #documentary #70s

Walerian Borowczyk’s rarely seen medium-length feature, "Letter from Paris" (Brief von Paris, 1976) is available at @mubi from today. It was saved by Friends of Walerian Borowczyk, a non-profit association based in Paris, in co-operation with Fixafilm.

Originally shot on 16mm film, "Letter from Paris" was transferred to U-matic tape for its 1976 broadcast on the German television station ZDF. The digitised source material was upscaled at our studio.

#Borowczyk #WalerianBorowczyk #restoration #upscaling #16mm #kiev16mm #restorationhouse #midlength #letterfromparis #paris #cityonscreen #documentary #70s ...

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Kwi 30

My Heart Can't Beat Unless You Tell It To by Jonat

My Heart Can't Beat Unless You Tell It To by Jonathan Cuartas hits the American theatres and VOD on June 25th! Here’s the poster for a drama-horror that was post-produced by Fixafilm🔥🔥🔥

Malgorzata Grzyb was responsible for colour grading, and together with Maciej Sankowski for the visual effects, and Wojtek Janio for conforming, mastering and production.

#postproduction #postproductionhouse #postproductions #colorgrading #horrormovies #horror #vampires #vampiremovies #poster #posterdesign #movieposters #thebigscreenisback #myheartcantbeatunlessyoutellitto

My Heart Can't Beat Unless You Tell It To by Jonathan Cuartas hits the American theatres and VOD on June 25th! Here’s the poster for a drama-horror that was post-produced by Fixafilm🔥🔥🔥

Malgorzata Grzyb was responsible for colour grading, and together with Maciej Sankowski for the visual effects, and Wojtek Janio for conforming, mastering and production.

#postproduction #postproductionhouse #postproductions #colorgrading #horrormovies #horror #vampires #vampiremovies #poster #posterdesign #movieposters #thebigscreenisback #myheartcantbeatunlessyoutellitto ...

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Kwi 28

Great news! 🎉 The cinemas in Poland re-open on

Great news! 🎉 The cinemas in Poland re-open on May 29th, just in time for the 61. Krakow Film Festival, where „Tylko wiatr”/ „Only the Wind” will have its premiere in the National Competition.

A documentary by Zofia Kowalewska follows a 92-year-old Zdzisław and his 25-year-old granddaughter during a 5000 km journey to a remote village in Kazakhstan.

The film is produced by Silver Frame and we're responsible for the postproduction, taking care of colour correction, conforming, special effects, opening & end credits, and deliverables.

#postproduction #postproductionstudio #postproductionhouse #colourgrading #deliverables #sophomore #closeties #documentary #krakowfilmfestival #kff #opencinema #thebigscreenisback

Great news! 🎉 The cinemas in Poland re-open on May 29th, just in time for the 61. Krakow Film Festival, where „Tylko wiatr”/ „Only the Wind” will have its premiere in the National Competition.

A documentary by Zofia Kowalewska follows a 92-year-old Zdzisław and his 25-year-old granddaughter during a 5000 km journey to a remote village in Kazakhstan.

The film is produced by Silver Frame and we're responsible for the postproduction, taking care of colour correction, conforming, special effects, opening & end credits, and deliverables.

#postproduction #postproductionstudio #postproductionhouse #colourgrading #deliverables #sophomore #closeties #documentary #krakowfilmfestival #kff #opencinema #thebigscreenisback ...

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